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Requiem for Abandoned Souls (expanded)

by raison d’être

supported by
Jordan Vauvert
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Jordan Vauvert Peter Andersson est décidément un artiste unique en son genre. Requiem for Abandoned Souls, par la seule puissance du son, est capable de créer un espace et même plus : un espace liminal. Le glas, au loin, qui disparaît tandis que s'élèvent les bruits métalliques confirme notre enfermement dans une usine désaffectée depuis des millénaires. Une nouvelle forme de sacré se construit, les chœurs interviennent. Nous, intrus, devenons des funambules : à la fois dans un monde, à la fois dans l'autre... Favorite track: The Shadow of the Soul.
Purple Crow
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Purple Crow Reminds me of the early days that I still love so much. This album might actually be ever better. :>


First escorted and abandoned by dark spirits, you wander alone through pitch-blackness, following sounds you'd rather run from then to. But there is no other place to go but down, deeper and further. So turn off your lights AND put out your candle when you listen to this powerful release. The title says it all, 'Requiem for Abandoned Souls' is filled with such extreme talent and understanding in the ways of the desolate decay that eats away at the very structure of mankind, that the music becomes a pulsating, throbbing entity that comes sobbing out of your speakers only to lament the crumbling states of whatever you are stressed about at that moment. It’s a natural sounding catalyst that merely tries to change something inside of you. The songs are like epic collages of pain mixed with tranquillity, of course mixed with an eerie atmosphere, that goes without saying, but it’s the high quality of the material that pushes the album above the rest.

As with the paths previously forged, sacral and arcane religious undertones permeate all aspects of the music. Awash with reverberating drones, metallic nuisances, discordant chimes, haunting chorals and sub- orchestral movements, the forlorn atmospheres unfold over the expanse of five interlinked tracks. The key to understanding Andersson's vision for this album lies in the track titles; read separately, or taken together as a poem. The toll of a church bell escorts the listener on an existential voyage through the world according to raison d'être, a bleak place populated by shadowy souls abandoned of all hope. But don't let that scare you away, because this remarkably beautiful collection of songs is a true remedy in this age of chaos; when the outside withers away, the inside fills with emptiness, and there's nothing left to believe in.

The expanded edition of 'Requiem for Abandoned Souls' contains the original disc with a bonus track and a second disc with material from various live performances from 2003 and 2004. As with the original release (Cold Meat Industry 2003) the artwork consists of images of abandoned places photographed by Henk van Rensbergen, but instead of being presented with five different layouts all the original images are included in the one and only layout.


released May 26, 2014

Track 1-6: all music by Peter Andersson 2003.
Bowed cymbal and trombone performed by Martin Bladh.
Track 7-18: recorded live 2003-2004.
K-14 level mastering 2014.
Photos by Henk van Rensbergen.
Physical release by Old Europa Café release OECD198.
Digital release by Yantra Atmospheres. YA-2014-54.


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raison d'être Sweden

Raison d'être, formed in 1991 by the sound artist Peter Andersson, has since then supplying listeners with overwhelming dark ambient industrial landscapes of beauty and sorrow, mainly on the now defunct Cold Meat Industry label. Peter Andersson also has a number of side projects including Atomine Elektrine, Bocksholm, Necrophorus, Stratvm Terror, Panzar and more. ... more

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