Music for Film and Exhibition 3

by Peter Andersson

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    3 video tracks from Catapult are included as bonus digital downloads, available in MP4-format (DVD quality).
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  • Compact Disc (CD) + Digital Album

    Comes in a 6-panel Digipak. Limited edition 500x.

    3 video tracks from Catapult are included as bonus digital downloads, available in MP4-format (DVD quality).

    Includes unlimited streaming of Music for Film and Exhibition 3 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Anima Caelum, Total tarmtömning, Äckzistänzializmus, Timewaves, Alchymeia, XIBIPIIO. In and Out of Experience, The Second Moon, Eyeless Distracted, and 64 more. , and , .

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about

This is a different experience! It's very concrete and descriptive, and in some cases almost natural, but always with some twists making it much more magic and enigmatic than just the plain sounds alone. Exhibition music can be difficult to describe because they really need to be presented and experienced in their original context. It's about sound design and soundscape composition. The key to understand the exhibition music presented here lies in the order of sounds and their combinations in layers and alterations through time. It makes the listener coming closer to the sounds, to investigate in their meanings and roles within the given frames. It's like being a sound detective.

'Music for Film and Exhibition 3' is, as the name suggests, the third album with film and exhibition music by Peter Andersson. It contains music for various exhibitions from 2011 to 2013 and also some recently found sketches for the 'Tulpa' soundtrack, which was released in their full and final versions on the 'Music for Film and Exhibition I'. Technically 'Music for Film and Exhibition 3' is the first album by Peter Andersson which is mastered according to the so called K-level standard, specifically to K-14. The K-standard will ensure that the highest dynamical range will be preserved in the music. It will benefit the listener because the music will simply sound much greater than a hot or over-compressed album. All one need to do is to give an extra push one the amplifier volume control to match the gain of a hot mastered album.


Videos for track 1-3 can be viewed online here:
video.raison-detre.info
The videos are also included as bonus downloads (MP-4 format, DVD quality) if purchased from the raison detre bandcamp webshop.

credits

released May 12, 2013

All music by Peter Andersson 2000-2013.
K-14 level mastering.
CD release by Wrotycz Records release WRT 018. Digital release by Yantra Atmospheres, YA-2014-66.

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all rights reserved

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about

raison d'être Sweden

Raison d'être, formed in 1991 by the sound artist Peter Andersson, has since then supplying listeners with overwhelming dark ambient industrial landscapes of beauty and sorrow, mainly on the now defunct Cold Meat Industry label. Peter Andersson also has a number of side projects including Atomine Elektrine, Bocksholm, Necrophorus, Stratvm Terror, Panzar and more. ... more

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